Manet's working process is readily apparent in the present work. The background was first established with ochre and blue tones which he then scraped away, leaving behind only a semi-transparent wash. His frenetic pace is palpable in the ensuing execution - the model was quickly sketched and the drapery built up around her forms, resulting in a bravura performance not only technically in the creation of space and depth, but in spontaneity of subject as well. In Femme nue se coiffant, Manet achieves a fluidity and grace, a total liberation from his subject all the while capturing the vivacity in a way that not even Monet would achieve his own Nymphéas for another thirty years to come. Ref. Sgallery.net
Inga kommentarer:
Skicka en kommentar